I’m poor, I don’t usually buy books brand new and so it was a real treat buying a few in August and September.
The Woman with an Owl Tattoo by Anne Walsh Donnelly.
This life-affirming poetry collection reflects on the author’s growth since the ending of her marriage and what it means to unearth one’s true sexual orientation, in mid-life. Anne Walsh Donnelly’s intimate exploration of sexuality and identity is both brave and touching, marking this debut collection as a triumph.
Will you Still Love me if I Love her by Elfie
A debut poetry chapbook exploring queer realisation, self-discovery, and search for acceptance. This sapphic collection features poems ‘Attraction’ and ‘Fraud’ first published by Royal Rose Magazine and ‘TV’ featured in Issue 3 of Constellate Literary Journal.
Lady Saturn by Wanda Deglane
Lady Saturn by contemporary poet Wanda Deglane is in itself a navigation through depression and anxiety to find love – the utmost important self-love. These personal poems traverse the backdrop of what it means to be born into chaos, to feel unwanted and unloved, to be constantly seeking and attempting self-discovery, to struggle to sleep with a racing mind or to defeat depression and anxiety with the help of a pill that makes her brain like her ‘mother’s old microwave, / constantly short-circuiting and casting the whole room / in darkness.’ Take this quest through beautiful, lyrical stanzas and vivid imagery depicting pain, trauma, depression, anxiety, and a deep yearning to land softly at a place on the verge of inner acceptance and love, just the way you are, seeking that happy-go-lucky soul you once inhabited.
Potential by Isabelle Kenyon
Published as part of the much-loved Ghost City Press summer series, Isabelle Kenyon’s micro chapbook is a brave and prickly collection which touches on new relationships, the-thing-between-her-legs and sexual assault. Light in tone, it is an exploration of the wonderful and the horrible things which can occur alongside love.
the sea refuses no river by Bethany Rivers
In this collection, the sea refuses no river, there is an acceptance of the pain and an acceptance of the healing moments; the healing journeys. To quote Adrienne Rich: I came to explore the wreck’, and in this collection, Bethany discovers how, ‘The words are purposes. The words are maps.’